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A Special Dance

by Harmony Gates I was lying on my back in the center of the room. The music was slow the lights were low. A ritual preparation. Tuning in: to the room, to the music, to my body. He rolled up to me slowly… deliberately, I thought, and peered down at me; head cocked to the left, mouth slightly open, teeth slightly showing. I'd had this happen before; another day, another dance. He'd rolled up next to me, peering in my direction. I'd offered to connect, and he'd rolled right on past. But this time felt different. He stopped. I waited. He looked. I held his gaze. My right arm was outstretched hand open, reaching in slow motion. Inviting, offering, waiting. Wanting nothing, allowing everything. As if called forth-- his left arm, pinioned to his chest like an unfurled wing, began to extend. His hand, claw-like in it's spastic contraction met mine With incredible power and strength he closed his

Being Embraced

A Description of Contact Improvisation Dance Practice: Achieving inner stillness through attention to, and acute observation of our impulses; our bodily experience. Meeting at the point of touch and exploring, through mutual responsiveness, what movement wants to unfold from an authentic, neutral space Curiously exploring that meeting, that point, that present moment, while maintaining full, unconditional presence. Saying, “YES!” in response to the other, without diminishing our self; without compromising our own authenticity. Surrendering to process, letting go of judgment, of intention, of willfulness. Experiencing a spaciousness that allows full acceptance self and other. As we are. Mutually supporting what is happening. And when there are ‘disconnects’, stopping and waiting. Waiting for that full presence to come into each of us again; for that felt sense of, “Ah yes, you are here, I am here, we meet here.” And in agreement, continuing. Joined, yet separate and individual. Connecti

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